The Michelangelo Code
July 10, 2008Benjamin Blech and Roy Doliner: The Sistine Secrets: Michelangelo’s Forbidden Messages in the Heart of the Vatican HarperOne [Harper Collins], New York, 2008.
Take one Renaissance artist, add one set of occult symbols, and combine to produce what will become, with luck, a best seller. That the artist may have no connection to the code means little, as long as one can remain faithful to the recipe.
That, in essence, is The Sistine Secrets, which is presented as a non fiction book, but which is in truth a farrago of irrelevant truths, suppositions presented as evidence, some basic art history, and some whopping inaccuracies. The premise of the book is that Michelangelo, remaining in the traditions of Renaissance art, embedded a detailed iconography in his paintings–which in the case of Michelangelo is for the most part the ceiling and altar wall frescoes of the Sistine Chapel–but which, in the case of Michelangelo, were secretly derived from Kabbalah and covertly denounced the Vatican and the Catholic Church of his own day. There is more probability to this than anything linking Leonardo da Vinci to the Priory of Sion, but the proof quickly breaks down into improbabilities as vast as anything in the DaVinci Code.
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